Performance Film [Chimera]
퍼포먼스 필름, [키메라]

2024년 4월 29일 - 30일 촬영
Filmed from April 29 to 30, 2024




Chimera is an immersive movement-based sound-optics-focused performance installation, in collaboration with AAPI Performance Collective IS/LAND, and optics researcher, Do Young Kim.

By definition, a Chimera is ‘an organism composed of mixed genetic tissues’ but also, when applied to science, a goal that is ‘that is hoped for but is illusory or impossible to achieve’. Both of these definitions apply to the experiences of AAPI women—how their experiences and complex life identities are vilified and simplified by the white supremacist patriarchy, but more so, how their achievements are also subject to the glass ceiling, with aspirations and dreams made impossible by existing social standards. Is it possible for AAPI women in this country to fully integrate into the fabric of Western society, or will they always be subjected to being othered? Can AAPI women in solidarity, as connected foreign debris, evolve into a new creature – a Chimera? This performance then confronts and questions these two conceptual definitions through an immersive sound/optics environment.



퍼포먼스 영상 <키메라>는 광학 연구자 김도영과 북미를 중심으로 활동하는 아시아-태평양계 미국인 퍼포먼스 그룹 IS/LAND와의 협업으로 제작되었다.

3인의 아시아계 여성 무용수들이 거대한 흰색 설치물로 형상화된 미국 사회의 구조적 차별을 분해하고, 한데 얽혀 춤추며, 이를 대체하는 새로운 크리처를 유기적 움직임으로 형상화한다.

이들의 움직임은 정적이고 곧은 것이 아닌 동적이고 얽힌 것, 단수가 아닌 복수인 신체를 상징적으로 드러낸다. 분기되고 결합하고 증식하는 세포의 이미지와 더불어 무용수들의 신체는 변형되고, 확장된다. 














Executive Producer: Do Young Kim
Part-One Director and Producer: Okyoung Noh
Part-Two Director: Chien-An Yuan

Dancer: Jean S. Lee, Catherine Miller, Mia Brooks
Music: Chien-An Yuan, Whodat
Projected Video: Do Young Kim, Chien-An Yuan, Okyoung Noh
Installation: Okyoung Noh

Stage Tech: Duderstadt Center Video Studio
Lighting: Patterson Mckinney
Videography: Duderstadt Center Video Studio, Chien-An Yuan
Photography: Chien-An Yuan

Sponsor: ArtsEngine














aZn luv luv t0ur

Interactive Performance Theater
Directed and performed by Okyoung Noh and Caroline Yoo

2023 May 11 19:00 / May 12 19:00

DUDERSTADT CENTER, VIDEO STUDIO
2281 Bonisteel Blvd, Ann Arbor, MI


This performance “aZn luv luv t0ur” invites audiences to join Noh and Yoo as tour guides in leading an interactive tour engaging with Western online archives fetishizing the Asian female body. The tour physically maps some of the contemporary digital spaces of racism, sexism, and imperialism that amplify perspectives of sensationalizing and exotification of the Eastern Asian woman such as sub-Reddit communities, porn culture, mail-order brides, and/or memes. In tandem, the performance also maps the psychological consequences in Yoo and Noh’s lived experiences, in relation to the representation and reproduction of sexual fantasy of “fetishized, sexualized and marginalized Asian women.”













Music: Chien-An Yuan, Caroline Yoo

Video: Caroline Yoo, Jaewon Lee, Seung Ah Lee, Jean Cho, Okyoung Noh

Installation: Okyoung Noh

Production Help: Yuchen Wu, Manali Desai, Carly Lowe

Stage Manager: Yuchen Wu

Stage Tech Support and Filming: Duderstadt Studio Team

Photo: Chien-An Yuan

Poster: Doyeon Son














Asia Teaching Artist Exchange Workshop and Joint Project


This is a research-based workshop and international fellowship project sponsored by Korea Arts & Culture Education Service(KACES) under the Ministry of Culture, Sports, and Tourism of the Republic of Korea. I participated in it as a fellow artist and team lead.

Facilitators
Okyoung Noh (South Korea, Team Lead)
Fié Neo (Singapore)
Yongse An (South Korea)
Chetna Mehtrotra (India)

Performers and Writers
Caroline Yoo
Maya Devi
Anjali Gulati
Yukie Mochizuki
Y. C.


Period
Research: Nov 2021  - May 2022
TA workshop: Jun 2022 - Aug 2022
Interview and Joint Workshop: Aug 2022 - Dec 2022 
Performance: Dec 4. 2022

Location
Zoom, India, USA, Canada


Supported by Korea Arts & Culture Education Service(KACES) under the Ministry of Culture, Sports, and Tourism of the Republic of Korea


How do the narratives of “Asian” women travel across the borderlines, languages, and bodies?


We made a script in a documentary theater format. The scripts about personal experiences of Asian females were written and exchanged across country groups. The other group that received the script responded/ read/ acted it out. The theater process and performance was documented in a video.





 





We had online sessions regularly to have a conversation between each TAs, collaborators, and interviewees, to learn script writing and performance, and to bring together all participants.




































OKYOUNG NOH

A Living Library for a Better Life

2022. 3. 15. – 3. 20.
White Room at Seoul Artists’ Platform New & Young

Curated by Youngdon Yoon

Photo by HyunSeok Lee
Supported by SAPY - Seoul Artists’ Platform New & Young, SFAC - Seoul Foundation for Arts and Culture

(ENG description is below)

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노오경 개인전

배러라이프를 위한 가변 도서관

2022. 03. 15 ~ 2022. 03. 20
청년예술청(SAPY)
화이트룸

기획 : 윤영돈
협력 : 김경진, 조수민, 워크샵 참여자(웬디, Neo, 지홍, Ivory, Tripod, 굿굿, J, 보라), 인터뷰이 5인
포스터 디자인 : 이가현
전시 사진: 이현석
후원 : 청년예술청 스페이스랩, 서울문화재단





***


This is a continued project, departing from my previous exhibition and workshop, Better Life Round Table.

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전시 및 워크샵 배러라이프 라운드 테이블을 바탕으로 이루어진 프로젝트입니다.


***













With the customer analyst Kyoungjin Kim, the interview with five participants and the following workshop were thoroughly analyzed both from the perspective of customer analysis and the anthropology of education. We discussed via Zoom, phone, and meetups to investigate further as unspoken intentions or meanings.
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전문가 김경진과  앞선 인터뷰 및 토론의 결과들을 소비자 질적 연구 분석의 관점에서 분석하였다. 






 The result of the consumer expert's analysis, interviews, and workshop was visualized as  a mythicized interview borrowing the Bible of the Middle Ages, scripted stenographic records that are translated into pictograms like presentation data, and futuristic advertisement posters featuring new possible customer services. They were printed both as wallpapers and sheets.

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분석의 내용은 아래와 같은 행동 플로우 도표, 중세 성경책 형식의 인터뷰 스크립트, 광고 형식의 새로운 미래주의 소비자 서비스 상상도 등으로 시각화되었다.









These researched archives turned into the materials that can be reconstructed by visitors. The exhibition title “A Living Library” symbolically means a possibility for everyone to freely weave these re-translated, open-ended, and ever-changing narratives around the topic, “a better life.”

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이후, 이처럼 서울에서 5개월 정도 조사한 청년들의 배러라이프(better life)에 대한 인터뷰, 토론, 전문가의 분석을 아카이브로 공유하는 임시적인 장소를 만들었다. 제목의 “도서관”은 누구든 방문하여 자신의 서사를 엮을 수 있는 장소를 암시한다.











A Living Library for a Better Life

Youngdon Yoon ( translated by Juhyun Park)


Okyoung Noh revealed how mythology works in her first solo-exhibition, For A Better Life, and collected individual lives in the Better-Life Round Table. In this exhibition, A Living Library for a Better Life, ingredients simply taken from this world - where mythology and individuals perfectly coexist - were cut into pieces for their introduction. The range of random stories open on the table are the gathered material, called an archive, that she collected for 5 months. These archives give the appearance of a dumping ground of the world. However, these archives turn into material that can be reconstructed by viewers as they are processed and represented by the artist. It offers a place where cultivation starts as opposed to how the strategy of dissolution, in which Postmodernism failed its symbolic orders, is followed. In this respect, the circle of thoughts built by this new narration opens up a new land of possibility that did not exist previously.


Viewers are invited to this selection of chaos to be introduced to the constructive act that is both public and, at the same time, very much likes to be personal. The small space hidden by free-standing walls inside the exhibition space is a place of disorder as well as a place of new birth. The narration that viewers newly build by connecting the unconnected is displayed on shelves of free-standing walls, and reveals a curious splendor beyond a window by being wound with LED and government files. The printed wallpaper with a consumer expert's analysis, a mythicized interview borrowing the Bible of the Middle Ages, and scripted stenographic records that are translated into pictograms like presentation data all blockade the small space to form a clear boundary between inside and outside. And this separate space has a different character, which makes for a duplicity. By enjoying this exhibition viewers can reflect on the hegemony of how the new is born in chaos and how we are extremely fragmented - and at the same time, firmly exist, just as much as they are in the duplicity in which an alternative narration reveals the splendor of the mainstream culture.


The artist’s act of collecting begins from experiences attained as a person who has survived in this world, and the life with them, especially the attachments to the life of a young man. It can be seen also as a study begun from a weak string that holds a hope in this irrational world as well as an attempt to love the living world. In the end the things brought from the archives of hegemony become a clue to reveal a huge symbolic order that was recovered as a counter-hegemonic sign of alternative narratives and, coincidentally, it contained a youth’s discourse, the hegemony of the city and the art world as it is. It starts with 'Seoul Artists' Platform_New & Young, a space with a specific name.  ⓒ





배러라이프를 위한 가변 도서관

윤영돈



세계에 하치장이 있다. 하치장에서 하릴없이 살아가는 생명체들도 있다. 그리고 이곳에는 그들의 표류기를 모아둔 테이블이 있다. 모든 것이 모든 것을 대체하는 21세기, 그럼에도 금융자본주의와 이미지 스펙타클은 결코 대체될 수 없는 것으로 남아 오히려 기하급수적으로 세력을 확장하고 있다. 노오경은 여기서 비롯된 필연적 파생물, 더 나은 삶, 배러라이프(better life) 신화에 주목한다. 각자가 어떤 질의 세계에 기거하든, 소유하고 있는 자본과 환경에 맞추어 자신의 자리에서 더 나은 삶을 갈구하지만, 그럼에도 배러라이프의 극점은 끝끝내 손에 쥐어지지 않고 아스라이 멀어지기만 한다.

노오경은 지난 첫 개인전 <배러라이프를 위하여(For Better Life)>에서 신화가 작용하는 방식을 벗겨내었고, <배러라이프 라운드테이블>에서 개개인의 삶을 수집했다면, 이번 <배러라이프를 위한 가변 도서관>에서는 신화와 개인이 기막히게 공존하고 있는 이 세계에서 막 건져낸 재료들을 토막내 내어놓는다. 테이블 위에 두서없이 펼쳐진 이야기들은 이 파편화된 현대사회에서 노오경이 5개월간 모아온 기록들의 물질적인 집합, 아카이브이다. 테이블 위, 비위계적으로 흩어진 아카이브는 세계 속 하치장과 같은 형식을 띠고 있다. 하지만 이 아카이브는 작가에 의해 가공되고 재현됨으로써 파편의 낱장이 아닌 관람자가 새롭게 구축 가능한 물질이 된다. 이로써, 포스트모더니즘이 상징적 질서를 무너뜨리는 데 실패한 ‘해체’의 전략을 답습하는 게 아닌, 여기엔 그 반대항인 ‘구축’이 이루어질 장소가 마련된다. 그렇게 새로운 서사를 쌓아가며 발생하는 생각의 연쇄를 통해 전에 없던 세계를 상상할 수 있는 가능성의 지평이 열린다.

관람자는 이 선별된 혼돈에 초대되어 공적이지만 지극히 사적이기도 한 구축 행위를 안내받는다. 전시장 내부 가벽으로 가려진 소공간은 무질서의 장소이자 새로운 탄생의 장소가 된다. 관람자가 비연결을 연결하여 새롭게 엮어낸 서사는 가벽 위 선반에 진열되고, LED와 정부 화일에 휘감겨 유리창 너머 기이한 위용을 발산한다. 픽토그램화(化)된 전문가의 분석, 중세 성경을 차용하여 신화화된 인터뷰, 대본화된 속기록이 인쇄된 벽지는 소공간을 봉쇄하여 안과 밖의 명확한 경계를 형성하고, 분리된 공간은 각각 다른 이중성을 띄게 된다. 혼란 속에서 탄생이 이루어지고, 대안적 서사가 주류문화의 위용을 뽐내는 이중성 속에서, 우리는 극단적으로 파편화되어 있으면서도 그만큼 공고히 자리하고 있는 이 헤게모니를 반추해볼 수 있을 것이다.

노오경의 수집 행위는 세계를 살아내는 당사자로서 체득한 경험들과 그로부터 비롯된 우리네 삶, 특히 청년의 삶에의 애착에서 추동된다. 이는 어쩌면 부조리한 세계 속에서도 희망을 놓지 않으려는 작은 끈에서 비롯된 것, 살아가고 있는 세계를 사랑하려는 시도에서 시작된 역설적인 연구일지도 모른다. 결국, 헤게모니의 아카이브에서 가져온 것들이 대안적 서사의 대항-헤게모니적 표시로 회수되는, 어쩌면 너무도 당연하게 여겨지는 거대한 상징 질서를 들추어내는 단서가 되었고, 공교롭게도 이는 이름 그대로 ‘청년예술청’에서 출발한다. ⓒ






©2022 Okyoung Noh   All rights reserved









Better Life Round Table with 5 Interviewees, 2021, projectors, raspberry pi, buttons, steel, screens, led monitor, 5-channel video and tablet PC






Better Life Round Table (2021) is an experimental combination of a one-day exhibition and public discussion program.

This project emerged from the interviews with the five people who dreamed of “a better life” through consumption and goods. The scripted videos projected on large screens, passed into the next page by the viewer's hand, place the viewer somewhere between an omniscient analyst and a first-person reader.









The public program was closely connected to the exhibition. Eight participants were asked about one’s attitude and impression about the interviews presented in the exhibition. Furthermore, we talked about our own relevant experiences with the keywords extracted from interviews.

I intended to create an open forum where people could share their appreciation of, and link the critical questions presented at the exhibition, to one’s own stories.








Better Life Round Table with 8 Participants, 2021, discussion with 8 participants, card sets










Photo by Seyeon Jung 정세연, HyunSeok Lee 이현석
Filmed by Seyeon Jung 정세연
Edited by Seyeon Jung 정세연, Okyoung Noh 노오경





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Sponsored by SPAC(Seoul Foundation of Arts and Culture) and SAPY(Seoul Artist’s Platform_New&Young)

 




















Photo of the Usage





























  



대접(2021)은 작가가 살고 있는 원룸촌 의 옥상을 빌려서 부추, 미나리, 쑥, 파, 상추를 키우고 주민에게 ‘부추감자전’ 요리를 해 나눈 것의 사진 기록이다.
빌린 땅을 사적 용도로 사용하고, 손님을 초대하거나 대접하는 행위를 하며 땅과 그 권한에 대한 질문을 던진다. (2021년 이승아 작가노트)









Installation View



©2021 Seung-ah Lee   All rights reserved
















유랑농업(2021)은 요리 후 남은 파의 밑동 5개를 모아, 길 거리 곳곳에 심는 프로젝트이다. 자신의 소유가 아닌 땅, 공원, 가로수가 뽑힌 자리 등에 잡초처럼 심고 매일 돌보았다.
공공장소의 일부에 작가 개인의 상징적인 기둥을 심고 관찰하였으며 배꼽-파 관찰 보고 서(2021)에서 전 과정을 격일로 기록하였다. (2021년 이승아 작가노트)









Installation View




©2021 Seung-ah Lee   All rights reserved





1


Suggestion: Lightbox Workstation



This workstation, one of a two-part series for a child’s loose-learning experience in the Lake Full of Stars exhibition, consists of one drawing featuring a natural theme, with complicated shapes, and a parallel lightbox covered with sand.
Children can either trace the lines of the drawing or create something new.
The intention is to help children experience various ways to appreciate the exhibited artwork and reinterpret the given visuals.






Photos of Adaptation



Photo by Rytis Šeškaitis









2






Suggestion: Cellophane Toy  


Only one of these designs was adopted. The adopted one is the Cellophane Toy. 
Children can play with this by using light from the window and overlapped color









Photos of Adaptation



Photo by Rytis Šeškaitis











3





Suggestion: Use wooden and natural objects which consist of diverse shapes and color. Let children build their own composition








Photos of Adaptation



The furniture was realized by a woodworking shop, Innovator’s Valley.

Photo by Rytis Šeškaitis











4






Suggestion: Story Dices








Photos of Adaptation



Photo by Rytis Šeškaitis










5






Suggestion: Hanging strings from a ceiling and a nature-life, round dorm with soft cotton cushions inside










Photos of Adaptation



Photo by Rytis Šeškaitis









A close discussion and conversation with two educational directors, Karen Vanhercke and Iveta Jaugaitė helps  all of these ideas . Šilta šiaurė, Dominykas Šavelis, and Lithuanian woodworking shop actualized these objects and workstations. The realization of the textile floor and “hills” happened thanks to the effort of many volunteers. 


Curator – Karen Vanhercke
Coordinator – Iveta Jaugaitė
Model – Nieces of Iveta
Architects – Šilta šiaurė
Exhibition installed by – Dominykas Šavelis
Photographer – Rytis Šeškaitis
Textile created by: Justina Gražytė, Eglė Lekevičiūtė, Šarūnė Pečiukonytė (Kaltūnas) and MO Museum volunteer